Unafraid to deal with the controversial, the taboo or the
bizarre, Rian Malan’s Resident Alien is a collection of published material from
over the world that tells the stories which others won’t. Agree or disagree
with the man’s personal views, his arguments are clear and concise, and always
exceptionally written.
Collected from works for publications from some of the
world’s leading newspapers and magazines, Malan lifts the metaphorical stone in
the search for answers and stories that uncover uneasy truths. Whether it be
the much publicised questioning of worldwide Aids statistics or the long
forgotten Boers of Tanzania there is always a message or opinion which leads
you to question your own, a refreshing and enthralling read.
Rian Malan has been a divisive and often disliked member of
South Africa’s literary community ever since the publication of his first book,
My Traitor’s Heart, which detailed his experiences and internal conflicts
growing up in Apartheid South Africa. The pieces in Resident Alien work on the
same basis of his personal issues with certain subjects and his crusades
against what he believes to be right and wrong. With one writer saying it is,
“the finest collection of journalism published in South Africa”, one thing for
sure is its brilliance.
Along the way Malan takes us throughout Africa, to America
and all over his native South Africa meeting some of the most colourful, crazy
and weird people, each with their own amazing tales. There is the last
Afrikaner, a petite old white lady, the sole survivor of the other Great Trek
to Tanzania. Banished from her own people for bearing the child of her black
lover decades before, she stayed when others left living in her mud-hut with
her offspring and in turn theirs, she remains ironically racist. Then there is
are the father and son truckers of Angola. A bird fanatic and poachers of
Uganda. Better-known figures of Thabo Mbeki and music industry moguls make
their appearances, although not always getting pleasant commentary. His cast
are nothing short of fascinating and the stories that they hold and are
associated even more.
His opinions are always meticulously justified and rather
than dragging one through boring political discussion (of which he is
thoroughly capable), he brings you along on his journey, enabling you with the
knowledge to how he came to his views. In his highly controversial pieces on
Aids statistics, he was labelled an outright Aids denialist, whereas he rather
questioned the reality to overblown Aids figures. One must read what he has to
say carefully as it is often increasingly shocking the more one understands the
situations he details.
Malan’s work here is not all serious; there are many
charming tales of characters who etched their mark in the world. Tales of nature’s
beauty and beauty pageants, the pseudo-Irish civil war and Zimbabwean Jewish
rockabilly punk bands who toured the world.
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